Saturday, June 13
2:00-4:00 pm
Free and open to the public
About the Exhibition:
Established in 1951 as an on-site residency program for serious ceramic artists, Archie Bray Foundation for the Ceramic Arts has a long and illustrious twentieth-century history, in which its founding male artists—Rudy Autio and Peter Voulkos— were elevated to mythic status within U.S. ceramics history. Celebrating the first 25 years of this century, this exhibition seeks out a new beginning, focusing on artists who challenged this assumed trajectory by embracing their own positionality: practitioners who were largely excluded from the Bray’s first fifty years: people of color, queer and women artists. Offering historical continuity, this show links the Bray’s twenty-first-century future to the strength of its female progenitors and other women working throughout the Mountain West.
About Jenni Sorkin:
Jenni Sorkin writes on the intersections between gender, material culture, and contemporary art. Her recent is Art in California (2021), written for Thames & Hudson’s acclaimed World of Art series. As a state, California is the site of tremendous diversity in the visual arts and has been at the forefront of cultural production throughout the 20th century. Her first book, Live Form: Women, Ceramics and Community (University of Chicago Press, 2016) examined the confluence of gender, artistic labor, and the history of post-war ceramics. Recent projects include the essay “Affinities in Abstraction: Textiles and Otherness in 1970s Painting,” in Outliers and American Vanguard Art. Lynne Cooke, ed. (Washington D.C.: National Gallery of Art, 2018) and “Alterity Rocks: 1973-1993,” Art in Chicago: A History from the Fire to Now. Maggie Taft and Robert Cozzolino, eds. (Chicago and London: University of Chicago Press, 2018). She has published widely as an art critic, and her writing has appeared in Artforum, Art Journal, Art Monthly, East of Borneo, NU: The Nordic Art Review, Frieze, The Journal of Modern Craft, Modern Painters and Third Text. In 2004, she received the Art Journal Award. She currently serves on the editorial board of Journal of Modern Craft, and has served as a member of the editorial boards of Art Journal and Textile: The Journal of Cloth and Culture. She is the recipient of fellowships from the American Council of Learned Societies (2014-15), the Center for Craft, Creativity, and Design (2012), the Getty Research Institute (2010-11), and the ACLS/Luce Fellowship in American Art (2008).
This event is free and open to the public. No RSVP is required.
Thank you to our exhibition support sponsors:





Image: Rosalie Wynkoop, For The Bray: Celebrating Fifty Years, 1999. Earthenware, glaze, gold luster, glass. ABF Resident Artist Collection.
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